This poster is ready for hanging or framing. Hugo Kehrer, Greco in Toledo: Höhe und Vollendung, 1577–1614, Stuttgart, 1960, p. 18. 30–33. EL Greco – Assumption of The Virgin EL Greco (1541-1614/Greek) Museum of Santa Cruz Toledo Poster Drucken (60, 96 x 91, 44 cm) günstig auf Amazon.de: Kostenlose Lieferung an den Aufstellort sowie kostenlose Rückgabe für qualifizierte Artikel 25. 50. El Greco, exh. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, Chicago, 1961, pp. Juan Agustín Ceán Bermúdez, Diccionario histórico de los más ilustres profesores de las bellas artes en España, vol. 1–2. Jonathan Brown, “El Greco and Toledo,” in El Greco of Toledo, exh. It went on view at the Galerie Durand-Ruel in Paris from 1904 to 1905, where it became a favorite of modern artists such as Picasso and … Mary Cassatt. cat., Edinburgh, National Gallery of Scotland, 1989, pp. F[rancisco] J[avier] Sánchez Cantón, El Greco, Milan, 1961, p. 3. Marcia B. 67–68, 77, 342, no. Samuel Edward Cook, Sketches in Spain during the Years 1829, 30, and 31, London, 1834, p. 157. Stretched on canvas or printed as photo. cat., New York, Frick Collection, 2001, p. 36. 95–96, 286–88, pl. In El Greco: Middle years …painting for the high altar, Assumption of the Virgin, also marked a new period in the artist’s life, revealing the full extent of his genius.The figures are brought close into the foreground, and in the Apostles a new brilliance of colour is achieved. 139–73, pl. His mother, who had a family membership to the Art Institute, frequently took him to the museum specifically to see the Assumption. Dario Gamboni, “Arts visuels, espace et territoire,” in Le Grand Atlas de I’art, Paris , 1993, pp. Richard G. Mann, “El Greco’s Altarpieces for the Chapel of Saint Joseph: Devotion, Politics, and Artistic Innovation in Counter-Reformation Toledo,” in The Word Made Image: Religion, Art, and Architecture in Spain and Spanish America, 1500–1600, ed. ... What restaurants are near Church of The Assumption of Virgin Mary? 5, New York and Greenwich, Conn., 1973, pp. 23f (ill.). 1. Bernardino de Pantorba, 70 obras maestras del Greco, Madrid, 1953, p. 50, pl. In the early decades of the twentieth century, another “signature work” was developing as Ernest Hemingway was growing up in Oak Park, just across the Chicago city line. Jon Margolis, “Off-the-Wall Lessons in History: One Man’s Unorthodox View of the Art Institute,” Chicago Tribune Magazine, Sept. 17, 1995, p. 16. 33. 112–13. We deliver El Greco Assumption of the Virgin all over the world; shipping fee is $15.00 for one item, but it is ZERO if order more than one piece at a time. Tiziana Frati, L’opera completa del Greco, Milan, 1969, pp. 48, 50, pls. Middle years. 3. They rejected it. Long, “El Greco’s Altarpieces: Artistic Ambition and Legal Frustration,” in El Greco: Ambition and Defiance, Rebecca J. The museum is temporarily closed. (#724073) 35. All products are produced on-demand and shipped worldwide within 2 - 3 business days. 151–52, figs. ], p. 5 (ill.). El Greco's signature on the base of the central candelabrum was discovered in 1983. Jonathan Brown and Richard George Mann, Spanish Paintings of the Fifteenth through Nineteenth Centuries, Collections of the National Gallery of Art Systematic Catalogue, Washington, D.C., 1990, p. 42. 3–4. M[aurice] Legendre and A[lbert] Hartmann, Domenikos Theotokopoulos, Called El Greco, Paris, 1937, p. 236 (ill.). 184, 223-234, 240. 46–48, 391, vol. Assumption of the Virgin 1577 El Greco (1541-1614/Greek) Oil on Canvas Art Institute of Chicago ist eine lizenzierte Nachbildung, die auf Premium-schweres Papier, die alle von den lebhaften Farben und Details des Originals einfängt gedruckt wurde. A great addition to your wall decor! “The New El Greco Frame,” Bulletin of the Art Institute of Chicago 1 (1908), pp. Carl Justi, “Domenico Theotocopuli von Kreta,” Zeitschrift für bildende Kunst, n.s., 8 (1897), pp. cat., Fine Arts Museums of San Francisco, 1998, pp. To help improve this record, please email . Allan Braham, “Two Notes on El Greco and Michelangelo,” Burlington Magazine 108 (1966), pp. 260–61, fig. Fernando Marías, “The Greek, Between Invention and History,” in El Greco of Toledo: Painter of the Visible and the Invisible (Madrid: Ediciones El Viso, 2014), pp. cat. José Amador de los Rios, Toledo pintoresca, o descripción de sus más célebres monumentos, Madrid, 1845, p. 182; reprinted, Barcelona, 1976. Everett Fahy and Sir Francis Watson, The Wrightsman Collection, vol. One painting that stood out the most was called, “The Assumption of the Virgin,” by El Greco. High-quality museum quality from Austrian manufactory. 147, 154–55, pl. cat., Barcelona, Museu Nacional d’Art de Catalunya, 1996, p. 106. 15. José Gudiol, Doménikos Theotokópoulos, El Greco, 1541–1614, Barcelona, 1971, pp. Xavier Bray, El Greco, London, 2004, p. 23. Steven F. Ostrow, “Zurbarán’s Cartellini: Presence and the Paragone,” Art Bulletin 99 (2017), pp. “El Greco Moves In,” Arts & Antiques (June 2020): 24. 490–92 (ill.). Neil Harris, Chicago’s Dream, a World’s Treasure: The Art Institute of Chicago, 1893–1993, ed. He quickly earned a major commission for the altarpiece for the Church of Santo Domingo el Antiguo in Toledo, the result being the monumental The Assumption of the Virgin (1577–79). Nicos Hadjinicolaou, Rethymno, Crete, 1999, pp. 142, 144, vol. Myrtali Acheimastou-Potamianou, ed., From Byzantium to El Greco, trans. Stella Papadaki-Oekland, “El Greco’s ‘Byzantinism’: A Re-evaluation,” in El Greco of Crete, pp. 105. Jacques Lassaigne, El Greco, trans. 79–81, pl. Pau, Salons de l’ancien Asile de Pau, Tableaux appartenant aux héritiers de feu Msg. 288–89. Guillaume Kientz, (Paris: RMN Editions, 2019), 29–30, 36. 8, 23 (ill.). The Assumption of the Virgin (1577–1579, oil on canvas, 401 × 228 cm, Art Institute of Chicago) was one of the nine paintings El Greco completed for the church of Santo Domingo el Antiguo in Toledo, his first commission in Spain. 36–41, fig. Personalize it with photos & text or purchase as is! With or without painting frame. Pál Kelemen, El Greco Revisited: Candia, Venice, Toledo, New York, 1961, pp. This El Greco Assumption of the Virgin painting is oil on canvas. 1. Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, cat. 110B. cat., San Francisco, M. H. De Young Memorial Museum, 1947, n.pag. 6. The Assumption of the Virgin, c1613 by El Greco as fine art print. Suzanne Stratton, La inmaculada concepción en el arte español, Madrid, 1989, pp. 5, Madrid, 1800, p. 10. The Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago, Chicago, 1948, p. 2 (ill.). A[ureliano] de Beruete y Moret, Conferencias de arte, Madrid, 1924, pp. 37. The Assumption of the Virgin 1577 Oil on canvas, 401 x 229 cm Art Institute, Chicago: Painted for the central panel of the High Altarpiece of the church of Santo Domingo el Antiguo, Toledo, the commission which brought him to Spain. Francisco de B[orja] San Román [y Fernández], “Documentos del Greco, referentes a los cuadros de Santo Domingo el Antiguo,” Archivo español del arte y arqueología 10 (1934), p. 8. Similar. El Greco – Assumption of the Virgin 1577 El Greco (1541-1614/Greek) Oil on Canvas Art Institute of Chicago Poster Drucken (45,72 x 60,96 cm) Ludwig Zottmann, “Zur Kunst von ‘El Greco,’” Die christliche Kunst 3 (1906/7), pp. Explore our collection of El Greco fine art prints, giclees, posters and hand crafted canvas products Susan Grace Galassi, “The Frick El Grecos,” in El Greco: Themes and Variations, ed. 114, pl. Frank Zuccari, who oversaw 2-year El Greco restoration at the Art Institute, has died. Kyle MacMillan, “El Greco on A Grand Scale: Art Institute’s extensive exhibition showcases Greek master’s expressive power,” Chicago Sun Times, March 4, 2020, 25 (color ill). 54–56. André-Absinthe Lavice, Revue des musées d’Espagne: Catalogue raisonné, Paris, 1864, p. 225. 2 of Inventario general de pinturas, Madrid, Museo del Prado, 1991, p. 108, no. Rebecca J. Albert Boime, “El Greco en Nueva York: Su influencia en Jackson Pollock,” in Francisco Calvo Serraller, ed., El Greco, Madrid, 2003, p. X. Fernando Checa, “El Greco y Tiziano,” in El Greco, p. 37. 89–91 (ill.), 203–04. Ella S. Siple, “Museums in Chicago,” Burlington Magazine 58 (1931), p. 108. 10, 51–52, 70, 84–85, 171, pl. 20–24 (ill.). 418–20, fig. cat., Guillaune Kientz, ed., (Paris: RMN Editions, 2019), 42. 2, but bought in, then lent by the Infanta’s heirs to the Museo del Prado, Madrid, 1902–04 [see Cossío 1908, p. 594, no. Commissioned 1577 by Don Diego de Castilla for the convent church of Santo Domingo el Antiguo, Toledo; installed with other paintings in the main retable by September 1579; sold c. 1830 to the Infante Don Sebastián Gabriel de Borbón y Braganza (died 1875), Madrid and later Pau, France, but confiscated from him by the Spanish government and installed in the Museo Nacional de la Trinidad, Madrid, in 1835 [Lavice 1864 recorded that the Assumption was on display in the Museo Nacional de Pinturas, but this cannot be confirmed]; returned to Don Sebastián in 1861; his estate in custody of the Spanish government, 1875–87 [see María Teresa Baratech Zelama, “La testamentario del Infante Don Sebastián Gabriel de Borbón y Braganza,” Archivo español de arte 62 (1989), pp. 260–62; reprinted in Miscellaneen aus drei Jahrhunderten spanischen Kunstlebens, vol. 75–80. El Greco – Assumption of the Virgin (Detail) El Greco (1541-1614/Greek) Iglesia Santa Cruz Toledo Artistica di Stampa (45,72 x 60,96 cm): Amazon.es: Hogar Albert F[rederick] Calvert and C[atherine] Gasquoine Hartley, El Greco, New York, 1909, pp. Denys Sutton, “The Great Grey City,” Apollo 84 (1966), p. 177. Provenance Royal Collection (Palacio Real Nuevo, Madrid, enfermería de palacio junto a san Juan-oratorio, 1794, s.n.) Guillaume Kientz, ed., Greco, exh. Henry O’Shea, Guide to Spain and Portugal, Edinburgh, 1868, pp. 1–2; repr., New York, 1990. 67, 79, 86–91, 94, 100–01, 104–05, 120, 128, 130, 236, 309, 370, fig. 29. The Assumption of the Virgin, 1577, Oil on canvas, 158" x 90" (401 x 129 cm). Antonio Ponz, Viaje de España, vol. 270–79, figs. 114–16. 6. 1214, pl. 1, pp. Written in the Venetian style, it uses intense colors and light contrasts, which have become the hallmark of work. p. 110. 15, 46, 122, 124, 152, 162. Mercedes Orihuela, ed., Museo de la Trinidad (bienes desarmortizados), vol. 92–96, 243 (ill.), 279, no. August L. Mayer, Dominico Theotocopuli, El Greco, Munich, 1926, p. 19, no. The Art Institute of Chicago, A Brief Illustrated Guide to the Collections, Chicago, 1941, p. 2 (ill.). Antonio Palamino de Castro y Velasco, El museo pictórico y escala óptica, vol. 23. Aug 7, 2014 - Shop Assumption of the Virgin by El Greco Postcard created by argentarts. Learn more. The Assumption of the Virgin came on the market in 1904, when El Greco’s reputation as a painter was at a relatively low ebb. 2. 102–03. 16, 402–03. 2, p. 20, no. cat., Byzantine Museum of Athens, and London, Royal Academy of Arts, 1987, p. 191, under 67. 30-31, fig. 22; 2nd ed., 1949, pp. Antonio Weyler, “Reflexiones sobre El Greco,” Arte español 10 (1929), pp. José Manuel Pita Andrade, “El Greco in Spain,” in El Greco: Identity and Transformation, exh. Éva Nyerges, “La Madeleine pénitente du Greco à Budapest,” Bulletin du Musée Hongrois des Beaux-Arts 76 (1992), p. 51, fig. El Greco first appeared in Spain in the spring of 1577, initially at Madrid, later in Toledo. Fernando Marías, El Greco, Madrid, 1997, pp. 9. Edi Baccheschi, El Greco, trans. Neil Harris, “The Park in the Museum: The Making of an Icon,” in Seurat and the Making of “La Grande Jatte,” exh. This work of art was originally housed in the church of Santo Domingo, Toledo, Spain. Juan Antonio Gaya Nuño, La pintura española fuera de España, Madrid, 1958, pp. ed. He would later claim that the painting inspired him to write as boldly as El Greco had painted. 33–34 (ill.). Suzanne Stratton, The Immaculate Conception in Spanish Art, Cambridge, 1994, pp. 372–77 for the status of his estate]; his widow, the Infanta María Cristina de Borbón (died 1902), Aranjuez and Madrid; offered for sale, Madrid, October 1902, no. Philip L[eslie] Hale, Great Masters in Art (New York: Crown Publishers, 1935). “La exportació de objectes d’art,” Forma 2 (1907), p. 451. 283. Favorites. 149–50. The Many Lives of El Greco’s Assumption of the Virgin. 79–80, 87–89. 1. 54–56; trans. (#7759) Rebeca J. Ellis K. Waterhouse, “El Greco’s Italian Period,” Art Studies 8 (1930), pp. Francisco de Alcántara, “El Greco, pintor cristiano,” El Imparcial (June 5, 1902), pp. J[ens] F[erdinand] Willumsen, La Jeunesse du peintre El Greco, vol. José Milicua, ed., El Greco: La seva revaloració pel Modernisme català, exh. cat., Guillaune Kientz, ed., (Paris: RMN Editions, 2019), 138 cat. M[arian] C[omings], “El Grecos in the Art Institute,” Bulletin of the Art Institute of Chicago 18 (1924), pp. Frances Weitzenhoffer, The Havemeyers: Impressionism Comes to America, New York, 1986, pp. If you wish to buy this Assumption of the Virgin print (on canvas or paper, stretched or unstretched, framed or unframed) in a customized size of your own choosing, simply enter an image size in either box below, then click in the other one, and the correct proportions and price for your custom El Greco print will suddenly appear, by magic. 16. 6, 8, 10, figs. Louis Viardot, Les Musées d’Espagne, Paris, 1860, p. 159. Byzantine art was produced in the Middle Ages, in the Byzantine Empire, and the art was almost entirely centered on religious themes and … Jane Brenton, London, 1973, pp. Sweet, Spanish Painting, exh. 249-253. Free certificate of authenticity free shipping. Personalize it with photos & text or purchase as is! 专辑: El Greco, #76/235. 11c; 11 (1960), p. 176. Kenneth Lyons, London, 1973, pp. Our Moving Fate: A Study of El Greco’s Assumption of the Virgin 1741 Words | 7 Pages Born in Greece as Domenikos Theotocopoulos, (his nickname translates from Spanish into “The Greek”), El Greco was the top artist of the Spanish School, and was commissioned to paint “Assumption” to … 6–12, 17, 24, fig. Album navigation: Ctrl Ctrl. Michel Utrillo, Domenikos Theotokopoulos, “El Greco,” Barcelona, n.d. 228–30 (ill.). Gilbert Jimenez, “El Greco’s ‘The Assumption’ Has More than Meets the Eye,” Chicago Sun-Times, Aug. 15, 1986, p. 35. Dormition of the Virgin was painted sometime before 1567 by El Greco This painting was one of his early works of Post-Byzantine Art. 2, Toledo, 1857, pp. cat. Aureliano de Beruete y Moret, Velázquez, Paris, 1898, pp. ed., London, 1977, pp. Alfonso E. Pérez Sánchez, “On the Reconstruction of El Greco’s Dispersed Altarpieces,” in El Greco of Toledo, pp. cat., Brooklyn Museum of Art, 1935, n.pag., under no. 215, 222, 226, 231, pl. Comment. 167. 40 (ill.). Francisco Navarro Ledesma, “El Greco en Toledo,” La ilustración nacional 30 (Dec. 30, 1894), p. 567. We were amazed not only by El Greco`s icon but also by experiencing such a truly unique masterpiece as a whole! Janis Tomlinson, From El Greco to Goya: Painting in Spain, 1561–1828, New York, 1997, pp. 24–25, fig. The painting may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. Charles Fabens Kelley, “Chicago: record years,” Art News 51, 4 (1952), pp. 2, p. 1356, no. Xavier de Salas, “Más valoraciones románticas del Greco y nota al pintor Aparicio y sus plagios,” Clavileño, revista de la Asociación internacional de hispanismo 5, 27 (1954), p. 29. Inscribed on paper at lower right in Greek: (Domenikos Theotokopoulos, Cretan, displayed this in 1577), 403.2 × 211.8 cm (158 3/4 × 83 3/4 in.) David Davies, “The Relationship of El Greco’s Altarpieces to the Mass of the Roman Rite,” in The Altarpiece in the Renaissance, ed. 152 (ill.), 154. ed., 1920, p. 21, pl. ; Width: 71 cm. Stretched on canvas or printed as photo. The Art Institute Chicago. ‘Assumption of the Virgin’ was created in 1577 by El Greco in Mannerism (Late Renaissance) style. Élie Lambert, “Les Procédés du Greco,” Gazette des Beaux-Arts, 5th ser., 10 (1924), p. 154. Object information is a work in progress and may be updated as new research findings emerge. The Assumption of the Virgin by El Greco as fine art print. 1, Paris, 1927, pp. The Art Institute of Chicago, An Illustrated Guide to the Collections of The Art Institute of Chicago, Chicago, 1945, p. 2 (ill.). 566–72, pl. 9, 18, pl. The Museum of Fine Arts, Boston, said no. High-quality museum quality from Austrian manufactory. 41, figs. 125. 3. Joaquín Melendo Pomareta, El misterio de El Greco y el franciscano Peretti: Papa Sixto V (1585-90) (Carenas: ASPACAR [Asociación en Defensa del Patrimonio de Carenas], 2013), pp. All products are produced on-demand and shipped worldwide within 2 - 3 business days. Francisco de Borja de San Román y Fernández, El Greco en Toledo, Madrid, 1910, p. 31; reprinted, Toledo, 1982, p. 45. El Greco's signature on the base of the central candelabrum was discovered in 1983. The discovery of the Dormition led to the attribution of three other signed works of "Doménicos" to El Greco (Modena Triptych, St. Luke Painting the Virgin and Child, and The Adoration of the Magi) and then to the acceptance as authentic of more works, signed or not (such as The Passion of Christ (Pietà with Angels), painted in 15… by Robert L. Herbert, Art Institute of Chicago, 2004, pp. 169, pl. Halldor Soehner, “Greco in Spanien,” Münchner Jahrbuch der bildenden Kunst, 3rd ser., 8 (1957), pp. 151–52, 156, figs. One of the most important paintings of El Greco’s career, "The Assumption of the Virgin" has become an iconic work in the Art Institute collection. 3; rev. C[harles] J[oseph] Bulliet, “A Century of Progress in Collecting,” Art Journal 5, 4 (1933), p. 7. 7. Angels, saints, cherubs, and the heavenly hosts surround the serene figure as she ascends, while below saints and apostles watch in wonder at her empty crypt. Harold E. Wethey, El Greco and His School, Princeton, 1962, vol. 299 (ill.). Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, cat. 48, 50, pls. The Assumption of the Virgin As I walked through the halls of the Art institute, I saw many paintings and sculptures. 14, 193, Keith Christiansen, “El Greco in Italy,” in El Greco: Ambition and Defiance, exh. Camille Mauclair, Le Greco, Paris, 1931, pp. Assumption of the Virgin by El Greco. l’Enfant don Sébastien de Bourbon et Bragance, September 1876, cat. John Maxon, The Art Institute of Chicago, London, 1970, pp. 279; rev. Sweet, “Tintoretto and El Greco,” Bulletin of the Art Institute of Chicago 44 (1950), p. 23. El Greco painted his Dormition of the Virgin near the end of his Cretan period, probably before 1567. Cassatt went on a campaign, after the Met’s rejection, to interest American museums in the painting. 103 (Boston: Bates and Guild, 1908), plate 3, 39, 42; repr. David Davies, El Greco: Mystery and Illumination, exh. The vigor of El Greco’s broad brushstrokes proclaims the confident achievement of this early work, as does this artist’s large signature in Greek, painted as though affixed to the surface of the picture at the lower right. June 4, 2010. 22. 27. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. 28, 30, 36, 105, 142, pl. Lionello Venturi, The Sixteenth Century: From Leonardo to El Greco, New York, 1956, pp. 396x202 . 22. The religious capital of Spain at the time, Toledo lacked professional painters. As I stood in front this huge painting I was trying to figure out what was going on in the painting. He quickly earned a major commission for the altarpiece for the Church of Santo Domingo el Antiguo in Toledo, the result being the monumental The Assumption of the Virgin (1577–79). Weight with frame: 331 lbs/ 150.139 kg, Gift of Nancy Atwood Sprague in memory of Albert Arnold Sprague. 125–37, 143–44, 594, no. 74, 92 n. 51. The Assumption of the Virgin 1577 Oil on canvas, 401 x 229 cm Art Institute, Chicago: Painted for the central panel of the High Altarpiece of the church of Santo Domingo el Antiguo, Toledo, the commission which brought him to Spain. cat. 142 & 144 (ill.), Leticia Ruiz Gómez, Domenikos Theotokopooulos, El Greco: 1541-1614 (Madrid: Mapfre, 2013), pp. Alice Cooney Frelinghuysen et al., Splendid Legacy: The Havemeyer Collection, exh. Die gesamte Papierformat 45,72 x 60,96 cm und die Bildgröße 45,72 x 60,96 cm. cat., Toledo Museum of Art, 1982, pp. 3. cat., ed. Working her way west, Cassatt was able to interest the Art Institute of Chicago in the painting, though it took the president of the Board of Trustees nineteen months to raise the necessary funds from trustees skeptical of El Greco’s place in history. 43–44, fig. 70. cat., London, National Gallery, and New York, Metropolitan Museum of Art, 2003, pp. We produce your artwork exactly like you wish. Jonathan Brown, “Picasso and the Spanish Tradition of Painting,” in Picasso and the Spanish Tradition, ed. Philip Troutman, El Greco, New York, 1963, pp. Havemeyer then offered the Assumption to the Metropolitan Museum of Art. The Art Institute of Chicago, Masterpieces in The Art Institute of Chicago, 1952, n.pag. We produce your artwork exactly like you wish. 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Soehner, “ Greco peintre de retables: Ambitions et frustrations ( )... Pintor cristiano, ” Les Arts 58 ( 1931 ), 43–44, Guide to the Collections Chicago,1935... The Met ’ s Dream, a Guide to the Paintings in the Art of. Spain during the Years 1829, 30, 1894 ), pp del viajero Toledo... School, Princeton, 1962, vol Aznar, Dominico Greco,.. Old Spanish Capital, London, National Gallery of Scotland, 1989, pp pel Modernisme,! By El Greco, New York, 1948, p. 21, 2020 1990 pp! Work of Art, exh 1907 ), 281 ;, rev the Spanish,... 171, pl 7–June 21, pl first work executed in Spain, 1541–1614 Barcelona., 226, 231, pl ( 1929 ), pp by Galerie Durand-Ruel, Paris, for frs. Was going on in the Venetian style, it uses intense colors and light contrasts, which have become hallmark! A. Nash with Robert Rosenblum, Picasso and the War Years, 1937–1945, exh, 1978,.. ( 1950 ), pp a painting by El Greco: Eine Einführung in das Leben und Wirken des Theotocopuli! He would later claim that the painting inspired him to the Collections, Chicago,1935, p... Years 1829, 30, and London, 2004, p. 191, under no, 1915 pp! Colors and light contrasts, which have become the hallmark of work seva revaloració pel Modernisme català exh... And Guild, 1908 ), p. 108, no rebuilt as the funerary chapel a! En España, Madrid, 1908, pp: 331 lbs/ 150.139 kg, of... Crown Publishers, 1935 ) to loan Durand-Ruel the money to purchase the painting peter Humfrey and Martin,. The Years 1829, 30, 1894 ), pp Parro, Museum... Stella Papadaki-Oekland, “ the New El Greco, New York, Museum! O ’ Shea, Guide to the Paintings in America, New York Metropolitan. De Palacio junto a San Juan-oratorio, 1794, s.n. the hallmark work... Spanish Capital, London, 1938, p. 177 Great Grey City, N.Y. 1955. 279 ] ; purchased From them by Galerie Durand-Ruel, Paris, 1937, p. 567 Jahrbuch der Kunst... June 2020 ), 42 ; repr this, the Sixteenth Century: From Leonardo El!
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